![]() If the hero is less skilled but relatively nice, they'll just shoot the hostage in the leg, either to stop the bad guy from being able to take them with him, or just to get them out. ![]() A sufficiently skilled hero will just shoot the hostage taker. *Obscure reference from the film whose title remains unmentioned. If a bad guy is using a hostage as a Human Shield, the expected response is to Put Down Your Gun and Step Away. “What will you do, hotshot? WHAT WILL YOU DO?” How do you fulfill the pastor’s demand to get the congregation singing the propers under these strict conditions? (You cannot quote Mahrt!) And NO PSALM TONES or the Wildcat gets blown up!*Ĥ. Gradual, Psallite, Ken Macek’s Psallite propers, C.Tietze’s strophic settings, and all the rest found at Musica Sacra, and you’ve composed some propers yourself. ![]() ![]() You have the SEP, the Vatican II Hymnal, every Rice choral and chant and short “chant-based” monophy collections, the entire CCW catalogue, BFW, B.Ford’s Amer. You also cannot publish any musical settings of any propers in either a weekly ordo or the parish bulletin no $ for ordo, no space in bulletin. But he won’t switch from using a pulp subscription missal, so you only have the Entrance and Communion antiphon texts.Ģ. Your pastor wants you to immediately engage the congregation in singing the propers, he insists upon their FCAP access. As my Brit bud IanW called me out last week, I’m in a red phone box with only a few quid and JT needs my post last week… I have only four lines of copy that I can shout to Tucker before the phone goes beep-beep-beep. ![]()
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